{"id":27068,"date":"2014-02-25T22:17:46","date_gmt":"2014-02-25T22:17:46","guid":{"rendered":"https:\/\/artmur.com\/?page_id=27068"},"modified":"2017-01-27T13:07:40","modified_gmt":"2017-01-27T18:07:40","slug":"scope-nyc-2014","status":"publish","type":"page","link":"https:\/\/artmur.com\/en\/exhibitions\/2014-exhibitions\/scope-nyc-2014\/","title":{"rendered":"Scope NYC 2014"},"content":{"rendered":"

March 6-9, 2014
\nArt Mur, booth E09
\nSCOPE New York Pavilion<\/a>
\n312 West 33rd Street
\nNew York, 10001<\/p>\n

Art Mur is very pleased to present the work of Patrick B\u00e9rube, Jannick Deslauriers, Nicolas Grenier and David Spriggs at the Scope Art Show<\/a> in New York, from March 6-9, in a thematic presentation of works focused on dystopia, forces of conflict and translation of forms.<\/p>\n

Patrick B\u00e9rub\u00e9\u2019s art is both playful and serious. His multifaceted practice includes photography, sculpture and installation. No matter the medium, he employs humour and sagacity. By appropriating daily references, he destabilizes reality and our expectations of it.<\/p>\n

In a similar manner, Jannick Deslauriers\u2019 work is a testimony to the poetry of our times. She expresses the helpless vulnerability we may feel when faced with the grace and beauty of created forms, which are at once disturbing and astounding.<\/p>\n

David Spriggs\u2019s technique presents work that is seemingly ephemeral in its translucence as well, but it\u2019s created from multiple layered images of transparent film.<\/p>\n

Moving from sculpture to painting, Nicolas Grenier\u2019s approach transcribes the working language of architectural practice into a fragmented phraseology of building, an assemblage of structural analogies that open up fresh possibilities for social critique.<\/p><\/div>

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